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X-WR-CALDESC:Events for Kultur Radolfzell
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DTSTART;TZID=Europe/Berlin:20240413T193000
DTEND;TZID=Europe/Berlin:20240413T210000
DTSTAMP:20260502T234114
CREATED:20240403T090425Z
LAST-MODIFIED:20240403T090425Z
UID:71322-1713036600-1713042000@staging.kultur-radolfzell.de
SUMMARY:Southwest German Philharmonic Orchestra
DESCRIPTION:The concert evening includes “Polish Melodies” by Mieczysław Weinberg\, the Concerto for Trumpet and Orchestra by Alexander Arutyunyan and the Symphony No. 5 in E minor by Peter Ilyich Tchaikovsky. \nTrumpeter Matilda Lloyd will be a guest\, as will conductor Pawel Kapuła. \nTo the program: \nThe “Polish Melodies” by Mieczysław Weinberg\, with which the Southwest German Philharmonic opens its concert\, show Weinberg’s close connection to the Polish-Jewish melodies of his homeland\, which he had to leave in 1939 when he fled from the Germans. He first fled to Belarus\, then two years later to Tashkent in Uzbekistan\, before coming to Moscow at the invitation of Dmitri Shostakovich. The two composers were closely connected throughout their lives\, they inspired each other and were both under strict observation by the Soviet cultural authorities. Mazurkas and polkas in a tonal language that is familiar on the one hand and sharpened on the other can be heard in the Polish Melodies\, and Weinberg’s melancholy and lifelong longing for his lost homeland cannot be ignored. \nThe composer Alexander Arutyunyan\, born in Yerevan (Armenia) in 1920\, has become known to German audiences almost exclusively for his trumpet concerto\, although his oeuvre comprises a wealth of other works. Alongside Aram Khachaturian\, Arutyunyan is one of the most important and most frequently performed composers of the 20th century in his native Armenia. His music is rich in color\, influenced by musical neoclassicism and sometimes by the formal language of the Baroque\, and also incorporates Armenian folk music. The trumpet concerto from 1950 captivates with the typical trumpet fanfares and signal calls\, high virtuosity in the solo part and in the interplay with the orchestra\, but also allows the soloist to shine with long\, poetic lines inspired by French music. The piece is through-composed\, but in itself consists of several parts and culminates in the final section in a solo cadenza in which the playing and breathing technique are exhausted. \nIn six symphonies\, the famous ballets and solo concertos\, Peter I. Tchaikovsky developed his very own\, melodious and often passionately surging musical language\, which mediates between Western European and Slavic musical culture. When Tchaikovsky began composing his Fifth Symphony in the summer of 1888\, he was also recognized as Russia’s leading composer in Europe and was at the peak of his success. But inside his soul\, things looked very different: For conductor Mariss Jansons\, who had grown up with the St. Petersburg conducting tradition\, this music reflects the emotional tragedy of an unhappy man whose homosexuality was almost life-threatening in Russian society at the time. The idea of destiny returns as a central theme in all four movements\, each time in a different form\, in the third movement disguised as a waltz\, in the fourth as a sonorous confrontation with his inner struggles. \nTicket link
URL:https://staging.kultur-radolfzell.de/en/veranstaltung/southwest-german-philharmonic-orchestra-8/
LOCATION:Radolfzell milk plant\, Werner-Messmer-Strasse 14\, Radolfzell\, 78315
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20240413T193000
DTEND;TZID=Europe/Berlin:20240413T210000
DTSTAMP:20260502T234114
CREATED:20240402T090423Z
LAST-MODIFIED:20240402T090423Z
UID:70856-1713036600-1713042000@staging.kultur-radolfzell.de
SUMMARY:Southwest German Philharmonic Orchestra
DESCRIPTION:The concert evening includes “Polish Melodies” by Mieczysław Weinberg\, the Concerto for Trumpet and Orchestra by Alexander Arutyunyan and the Symphony No. 5 in E minor by Peter Ilyich Tchaikovsky. \nTrumpeter Matilda Lloyd will be a guest\, as will conductor Pawel Kapuła. \nTo the program: \nThe “Polish Melodies” by Mieczysław Weinberg\, with which the Southwest German Philharmonic opens its concert\, show Weinberg’s close connection to the Polish-Jewish melodies of his homeland\, which he had to leave in 1939 when he fled from the Germans. He first fled to Belarus\, then two years later to Tashkent in Uzbekistan\, before coming to Moscow at the invitation of Dmitri Shostakovich. The two composers were closely connected throughout their lives\, they inspired each other and were both under strict observation by the Soviet cultural authorities. Mazurkas and polkas in a tonal language that is familiar on the one hand and sharpened on the other can be heard in the Polish Melodies\, and Weinberg’s melancholy and lifelong longing for his lost homeland cannot be ignored. \nThe composer Alexander Arutyunyan\, born in Yerevan (Armenia) in 1920\, has become known to German audiences almost exclusively for his trumpet concerto\, although his oeuvre comprises a wealth of other works. Alongside Aram Khachaturian\, Arutyunyan is one of the most important and most frequently performed composers of the 20th century in his native Armenia. His music is rich in color\, influenced by musical neoclassicism and sometimes by the formal language of the Baroque\, and also incorporates Armenian folk music. The trumpet concerto from 1950 captivates with the typical trumpet fanfares and signal calls\, high virtuosity in the solo part and in the interplay with the orchestra\, but also allows the soloist to shine with long\, poetic lines inspired by French music. The piece is through-composed\, but in itself consists of several parts and culminates in the final section in a solo cadenza in which the playing and breathing technique are exhausted. \nIn six symphonies\, the famous ballets and solo concertos\, Peter I. Tchaikovsky developed his very own\, melodious and often passionately surging musical language\, which mediates between Western European and Slavic musical culture. When Tchaikovsky began composing his Fifth Symphony in the summer of 1888\, he was also recognized as Russia’s leading composer in Europe and was at the peak of his success. But inside his soul\, things looked very different: For conductor Mariss Jansons\, who had grown up with the St. Petersburg conducting tradition\, this music reflects the emotional tragedy of an unhappy man whose homosexuality was almost life-threatening in Russian society at the time. The idea of destiny returns as a central theme in all four movements\, each time in a different form\, in the third movement disguised as a waltz\, in the fourth as a sonorous confrontation with his inner struggles. \nTicket link
URL:https://staging.kultur-radolfzell.de/en/veranstaltung/southwest-german-philharmonic-orchestra-7/
LOCATION:Radolfzell milk plant\, Werner-Messmer-Strasse 14\, Radolfzell\, 78315
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20240413T193000
DTEND;TZID=Europe/Berlin:20240413T210000
DTSTAMP:20260502T234114
CREATED:20240401T090443Z
LAST-MODIFIED:20240401T090443Z
UID:70415-1713036600-1713042000@staging.kultur-radolfzell.de
SUMMARY:Southwest German Philharmonic Orchestra
DESCRIPTION:The concert evening includes “Polish Melodies” by Mieczysław Weinberg\, the Concerto for Trumpet and Orchestra by Alexander Arutyunyan and the Symphony No. 5 in E minor by Peter Ilyich Tchaikovsky. \nTrumpeter Matilda Lloyd will be a guest\, as will conductor Pawel Kapuła. \nTo the program: \nThe “Polish Melodies” by Mieczysław Weinberg\, with which the Southwest German Philharmonic opens its concert\, show Weinberg’s close connection to the Polish-Jewish melodies of his homeland\, which he had to leave in 1939 when he fled from the Germans. He first fled to Belarus\, then two years later to Tashkent in Uzbekistan\, before coming to Moscow at the invitation of Dmitri Shostakovich. The two composers were closely connected throughout their lives\, they inspired each other and were both under strict observation by the Soviet cultural authorities. Mazurkas and polkas in a tonal language that is familiar on the one hand and sharpened on the other can be heard in the Polish Melodies\, and Weinberg’s melancholy and lifelong longing for his lost homeland cannot be ignored. \nThe composer Alexander Arutyunyan\, born in Yerevan (Armenia) in 1920\, has become known to German audiences almost exclusively for his trumpet concerto\, although his oeuvre comprises a wealth of other works. Alongside Aram Khachaturian\, Arutyunyan is one of the most important and most frequently performed composers of the 20th century in his native Armenia. His music is rich in color\, influenced by musical neoclassicism and sometimes by the formal language of the Baroque\, and also incorporates Armenian folk music. The trumpet concerto from 1950 captivates with the typical trumpet fanfares and signal calls\, high virtuosity in the solo part and in the interplay with the orchestra\, but also allows the soloist to shine with long\, poetic lines inspired by French music. The piece is through-composed\, but in itself consists of several parts and culminates in the final section in a solo cadenza in which the playing and breathing technique are exhausted. \nIn six symphonies\, the famous ballets and solo concertos\, Peter I. Tchaikovsky developed his very own\, melodious and often passionately surging musical language\, which mediates between Western European and Slavic musical culture. When Tchaikovsky began composing his Fifth Symphony in the summer of 1888\, he was also recognized as Russia’s leading composer in Europe and was at the peak of his success. But inside his soul\, things looked very different: For conductor Mariss Jansons\, who had grown up with the St. Petersburg conducting tradition\, this music reflects the emotional tragedy of an unhappy man whose homosexuality was almost life-threatening in Russian society at the time. The idea of destiny returns as a central theme in all four movements\, each time in a different form\, in the third movement disguised as a waltz\, in the fourth as a sonorous confrontation with his inner struggles. \nTicket link
URL:https://staging.kultur-radolfzell.de/en/veranstaltung/southwest-german-philharmonic-orchestra-6/
LOCATION:Radolfzell milk plant\, Werner-Messmer-Strasse 14\, Radolfzell\, 78315
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20240413T193000
DTEND;TZID=Europe/Berlin:20240413T210000
DTSTAMP:20260502T234114
CREATED:20240330T231148Z
LAST-MODIFIED:20240330T231148Z
UID:69988-1713036600-1713042000@staging.kultur-radolfzell.de
SUMMARY:Southwest German Philharmonic Orchestra
DESCRIPTION:The concert evening includes “Polish Melodies” by Mieczysław Weinberg\, the Concerto for Trumpet and Orchestra by Alexander Arutyunyan and the Symphony No. 5 in E minor by Peter Ilyich Tchaikovsky. \nTrumpeter Matilda Lloyd will be a guest\, as will conductor Pawel Kapuła. \nTo the program: \nThe “Polish Melodies” by Mieczysław Weinberg\, with which the Southwest German Philharmonic opens its concert\, show Weinberg’s close connection to the Polish-Jewish melodies of his homeland\, which he had to leave in 1939 when he fled from the Germans. He first fled to Belarus\, then two years later to Tashkent in Uzbekistan\, before coming to Moscow at the invitation of Dmitri Shostakovich. The two composers were closely connected throughout their lives\, they inspired each other and were both under strict observation by the Soviet cultural authorities. Mazurkas and polkas in a tonal language that is familiar on the one hand and sharpened on the other can be heard in the Polish Melodies\, and Weinberg’s melancholy and lifelong longing for his lost homeland cannot be ignored. \nThe composer Alexander Arutyunyan\, born in Yerevan (Armenia) in 1920\, has become known to German audiences almost exclusively for his trumpet concerto\, although his oeuvre comprises a wealth of other works. Alongside Aram Khachaturian\, Arutyunyan is one of the most important and most frequently performed composers of the 20th century in his native Armenia. His music is rich in color\, influenced by musical neoclassicism and sometimes by the formal language of the Baroque\, and also incorporates Armenian folk music. The trumpet concerto from 1950 captivates with the typical trumpet fanfares and signal calls\, high virtuosity in the solo part and in the interplay with the orchestra\, but also allows the soloist to shine with long\, poetic lines inspired by French music. The piece is through-composed\, but in itself consists of several parts and culminates in the final section in a solo cadenza in which the playing and breathing technique are exhausted. \nIn six symphonies\, the famous ballets and solo concertos\, Peter I. Tchaikovsky developed his very own\, melodious and often passionately surging musical language\, which mediates between Western European and Slavic musical culture. When Tchaikovsky began composing his Fifth Symphony in the summer of 1888\, he was also recognized as Russia’s leading composer in Europe and was at the peak of his success. But inside his soul\, things looked very different: For conductor Mariss Jansons\, who had grown up with the St. Petersburg conducting tradition\, this music reflects the emotional tragedy of an unhappy man whose homosexuality was almost life-threatening in Russian society at the time. The idea of destiny returns as a central theme in all four movements\, each time in a different form\, in the third movement disguised as a waltz\, in the fourth as a sonorous confrontation with his inner struggles. \nTicket link
URL:https://staging.kultur-radolfzell.de/en/veranstaltung/southwest-german-philharmonic-orchestra-5/
LOCATION:Radolfzell milk plant\, Werner-Messmer-Strasse 14\, Radolfzell\, 78315
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20240413T193000
DTEND;TZID=Europe/Berlin:20240413T210000
DTSTAMP:20260502T234114
CREATED:20240330T090425Z
LAST-MODIFIED:20240330T090425Z
UID:69587-1713036600-1713042000@staging.kultur-radolfzell.de
SUMMARY:Southwest German Philharmonic Orchestra
DESCRIPTION:The concert evening includes “Polish Melodies” by Mieczysław Weinberg\, the Concerto for Trumpet and Orchestra by Alexander Arutyunyan and the Symphony No. 5 in E minor by Peter Ilyich Tchaikovsky. \nTrumpeter Matilda Lloyd will be a guest\, as will conductor Pawel Kapuła. \nTo the program: \nThe “Polish Melodies” by Mieczysław Weinberg\, with which the Southwest German Philharmonic opens its concert\, show Weinberg’s close connection to the Polish-Jewish melodies of his homeland\, which he had to leave in 1939 when he fled from the Germans. He first fled to Belarus\, then two years later to Tashkent in Uzbekistan\, before coming to Moscow at the invitation of Dmitri Shostakovich. The two composers were closely connected throughout their lives\, they inspired each other and were both under strict observation by the Soviet cultural authorities. Mazurkas and polkas in a tonal language that is familiar on the one hand and sharpened on the other can be heard in the Polish Melodies\, and Weinberg’s melancholy and lifelong longing for his lost homeland cannot be ignored. \nThe composer Alexander Arutyunyan\, born in Yerevan (Armenia) in 1920\, has become known to German audiences almost exclusively for his trumpet concerto\, although his oeuvre comprises a wealth of other works. Alongside Aram Khachaturian\, Arutyunyan is one of the most important and most frequently performed composers of the 20th century in his native Armenia. His music is rich in color\, influenced by musical neoclassicism and sometimes by the formal language of the Baroque\, and also incorporates Armenian folk music. The trumpet concerto from 1950 captivates with the typical trumpet fanfares and signal calls\, high virtuosity in the solo part and in the interplay with the orchestra\, but also allows the soloist to shine with long\, poetic lines inspired by French music. The piece is through-composed\, but in itself consists of several parts and culminates in the final section in a solo cadenza in which the playing and breathing technique are exhausted. \nIn six symphonies\, the famous ballets and solo concertos\, Peter I. Tchaikovsky developed his very own\, melodious and often passionately surging musical language\, which mediates between Western European and Slavic musical culture. When Tchaikovsky began composing his Fifth Symphony in the summer of 1888\, he was also recognized as Russia’s leading composer in Europe and was at the peak of his success. But inside his soul\, things looked very different: For conductor Mariss Jansons\, who had grown up with the St. Petersburg conducting tradition\, this music reflects the emotional tragedy of an unhappy man whose homosexuality was almost life-threatening in Russian society at the time. The idea of destiny returns as a central theme in all four movements\, each time in a different form\, in the third movement disguised as a waltz\, in the fourth as a sonorous confrontation with his inner struggles. \nTicket link
URL:https://staging.kultur-radolfzell.de/en/veranstaltung/southwest-german-philharmonic-orchestra-4/
LOCATION:Radolfzell milk plant\, Werner-Messmer-Strasse 14\, Radolfzell\, 78315
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20240413T193000
DTEND;TZID=Europe/Berlin:20240413T210000
DTSTAMP:20260502T234114
CREATED:20240329T090433Z
LAST-MODIFIED:20240329T090433Z
UID:69208-1713036600-1713042000@staging.kultur-radolfzell.de
SUMMARY:Southwest German Philharmonic Orchestra
DESCRIPTION:The concert evening includes “Polish Melodies” by Mieczysław Weinberg\, the Concerto for Trumpet and Orchestra by Alexander Arutyunyan and the Symphony No. 5 in E minor by Peter Ilyich Tchaikovsky. \nTrumpeter Matilda Lloyd will be a guest\, as will conductor Pawel Kapuła. \nTo the program: \nThe “Polish Melodies” by Mieczysław Weinberg\, with which the Southwest German Philharmonic opens its concert\, show Weinberg’s close connection to the Polish-Jewish melodies of his homeland\, which he had to leave in 1939 when he fled from the Germans. He first fled to Belarus\, then two years later to Tashkent in Uzbekistan\, before coming to Moscow at the invitation of Dmitri Shostakovich. The two composers were closely connected throughout their lives\, they inspired each other and were both under strict observation by the Soviet cultural authorities. Mazurkas and polkas in a tonal language that is familiar on the one hand and sharpened on the other can be heard in the Polish Melodies\, and Weinberg’s melancholy and lifelong longing for his lost homeland cannot be ignored. \nThe composer Alexander Arutyunyan\, born in Yerevan (Armenia) in 1920\, has become known to German audiences almost exclusively for his trumpet concerto\, although his oeuvre comprises a wealth of other works. Alongside Aram Khachaturian\, Arutyunyan is one of the most important and most frequently performed composers of the 20th century in his native Armenia. His music is rich in color\, influenced by musical neoclassicism and sometimes by the formal language of the Baroque\, and also incorporates Armenian folk music. The trumpet concerto from 1950 captivates with the typical trumpet fanfares and signal calls\, high virtuosity in the solo part and in the interplay with the orchestra\, but also allows the soloist to shine with long\, poetic lines inspired by French music. The piece is through-composed\, but in itself consists of several parts and culminates in the final section in a solo cadenza in which the playing and breathing technique are exhausted. \nIn six symphonies\, the famous ballets and solo concertos\, Peter I. Tchaikovsky developed his very own\, melodious and often passionately surging musical language\, which mediates between Western European and Slavic musical culture. When Tchaikovsky began composing his Fifth Symphony in the summer of 1888\, he was also recognized as Russia’s leading composer in Europe and was at the peak of his success. But inside his soul\, things looked very different: For conductor Mariss Jansons\, who had grown up with the St. Petersburg conducting tradition\, this music reflects the emotional tragedy of an unhappy man whose homosexuality was almost life-threatening in Russian society at the time. The idea of destiny returns as a central theme in all four movements\, each time in a different form\, in the third movement disguised as a waltz\, in the fourth as a sonorous confrontation with his inner struggles. \nTicket link
URL:https://staging.kultur-radolfzell.de/en/veranstaltung/southwest-german-philharmonic-orchestra-3/
LOCATION:Radolfzell milk plant\, Werner-Messmer-Strasse 14\, Radolfzell\, 78315
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20240413T193000
DTEND;TZID=Europe/Berlin:20240413T210000
DTSTAMP:20260502T234114
CREATED:20240328T090429Z
LAST-MODIFIED:20240328T090429Z
UID:68822-1713036600-1713042000@staging.kultur-radolfzell.de
SUMMARY:Southwest German Philharmonic Orchestra
DESCRIPTION:The concert evening includes “Polish Melodies” by Mieczysław Weinberg\, the Concerto for Trumpet and Orchestra by Alexander Arutyunyan and the Symphony No. 5 in E minor by Peter Ilyich Tchaikovsky. \nTrumpeter Matilda Lloyd will be a guest\, as will conductor Pawel Kapuła. \nTo the program: \nThe “Polish Melodies” by Mieczysław Weinberg\, with which the Southwest German Philharmonic opens its concert\, show Weinberg’s close connection to the Polish-Jewish melodies of his homeland\, which he had to leave in 1939 when he fled from the Germans. He first fled to Belarus\, then two years later to Tashkent in Uzbekistan\, before coming to Moscow at the invitation of Dmitri Shostakovich. The two composers were closely connected throughout their lives\, they inspired each other and were both under strict observation by the Soviet cultural authorities. Mazurkas and polkas in a tonal language that is familiar on the one hand and sharpened on the other can be heard in the Polish Melodies\, and Weinberg’s melancholy and lifelong longing for his lost homeland cannot be ignored. \nThe composer Alexander Arutyunyan\, born in Yerevan (Armenia) in 1920\, has become known to German audiences almost exclusively for his trumpet concerto\, although his oeuvre comprises a wealth of other works. Alongside Aram Khachaturian\, Arutyunyan is one of the most important and most frequently performed composers of the 20th century in his native Armenia. His music is rich in color\, influenced by musical neoclassicism and sometimes by the formal language of the Baroque\, and also incorporates Armenian folk music. The trumpet concerto from 1950 captivates with the typical trumpet fanfares and signal calls\, high virtuosity in the solo part and in the interplay with the orchestra\, but also allows the soloist to shine with long\, poetic lines inspired by French music. The piece is through-composed\, but in itself consists of several parts and culminates in the final section in a solo cadenza in which the playing and breathing technique are exhausted. \nIn six symphonies\, the famous ballets and solo concertos\, Peter I. Tchaikovsky developed his very own\, melodious and often passionately surging musical language\, which mediates between Western European and Slavic musical culture. When Tchaikovsky began composing his Fifth Symphony in the summer of 1888\, he was also recognized as Russia’s leading composer in Europe and was at the peak of his success. But inside his soul\, things looked very different: For conductor Mariss Jansons\, who had grown up with the St. Petersburg conducting tradition\, this music reflects the emotional tragedy of an unhappy man whose homosexuality was almost life-threatening in Russian society at the time. The idea of destiny returns as a central theme in all four movements\, each time in a different form\, in the third movement disguised as a waltz\, in the fourth as a sonorous confrontation with his inner struggles. \nTicket link
URL:https://staging.kultur-radolfzell.de/en/veranstaltung/southwest-german-philharmonic-orchestra-2/
LOCATION:Radolfzell milk plant\, Werner-Messmer-Strasse 14\, Radolfzell\, 78315
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20240413T140000
DTEND;TZID=Europe/Berlin:20240609T173000
DTSTAMP:20260502T234114
CREATED:20240413T090938Z
LAST-MODIFIED:20240413T090938Z
UID:77040-1713016800-1717954200@staging.kultur-radolfzell.de
SUMMARY:Expressive!
DESCRIPTION:STEPHAN HASSLINGER weaves expansive objects from ceramic cords that seem familiar to us\, but confuse us with their explosive scale – they are enlarged many times over and fascinating in their craftsmanship … Are they handbags\, sweaters\, shoes\, brooches\, all familiar utensils that become brightly colored wall and room objects here? … Knitting patterns and braiding: baroque reminiscences? Confusing titles such as Amuse Bouche\, knitted dress by Lady Gaga show desire and mischief. Hasslinger enchants and changes familiar ways of seeing. \nMICHAEL THÜMMRICH spreads out large-format tapestries on paper or unprimed canvas before us. The focus of his work is not on pre-planned pictorial ideas\, but on spontaneous reactions. In a lengthy process\, he gives free rein to his creative play … using a wide variety of water-soluble\, transparent\, oily opaque painting media\, he creates unplanned\, surprising effects to which he reacts and which he continues to work on. He adds new pictorial elements\, aggressively scratches holes in the layers\, reacts to folds\, and finally soaks the painting ground with linseed oil or shellac\, thus changing its materiality in order to create these multi-layered\, expressive works. \nAuthor of the event picture: Stephan Hasslinger
URL:https://staging.kultur-radolfzell.de/en/veranstaltung/expressive-26/
LOCATION:Villa Bosch\, Scheffelstrasse 8\, Radolfzell on Lake Constance\, 78315
ATTACH;FMTTYPE=image/jpeg:https://staging.kultur-radolfzell.de/wp-content/uploads/2024/03/mainImage-Fvd2dq.tmp_-400x300-X7TMjH.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20240413T140000
DTEND;TZID=Europe/Berlin:20240609T173000
DTSTAMP:20260502T234114
CREATED:20240412T083318Z
LAST-MODIFIED:20240412T083318Z
UID:76771-1713016800-1717954200@staging.kultur-radolfzell.de
SUMMARY:Expressive!
DESCRIPTION:STEPHAN HASSLINGER weaves expansive objects from ceramic cords that seem familiar to us\, but confuse us with their explosive scale – they are enlarged many times over and fascinating in their craftsmanship … Are they handbags\, sweaters\, shoes\, brooches\, all familiar utensils that become brightly colored wall and room objects here? … Knitting patterns and braiding: baroque reminiscences? Confusing titles such as Amuse Bouche\, knitted dress by Lady Gaga show desire and mischief. Hasslinger enchants and changes familiar ways of seeing. \nMICHAEL THÜMMRICH spreads out large-format tapestries on paper or unprimed canvas before us. The focus of his work is not on pre-planned pictorial ideas\, but on spontaneous reactions. In a lengthy process\, he gives free rein to his creative play … using a wide variety of water-soluble\, transparent\, oily opaque painting media\, he creates unplanned\, surprising effects to which he reacts and which he continues to work on. He adds new pictorial elements\, aggressively scratches holes in the layers\, reacts to folds\, and finally soaks the painting ground with linseed oil or shellac\, thus changing its materiality in order to create these multi-layered\, expressive works. \nAuthor of the event picture: Stephan Hasslinger
URL:https://staging.kultur-radolfzell.de/en/veranstaltung/expressive-25/
LOCATION:Villa Bosch\, Scheffelstrasse 8\, Radolfzell on Lake Constance\, 78315
ATTACH;FMTTYPE=image/jpeg:https://staging.kultur-radolfzell.de/wp-content/uploads/2024/03/mainImage-Fvd2dq.tmp_-400x300-X7TMjH.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20240413T140000
DTEND;TZID=Europe/Berlin:20240609T173000
DTSTAMP:20260502T234114
CREATED:20240411T090846Z
LAST-MODIFIED:20240411T090846Z
UID:76301-1713016800-1717954200@staging.kultur-radolfzell.de
SUMMARY:Expressive!
DESCRIPTION:STEPHAN HASSLINGER weaves expansive objects from ceramic cords that seem familiar to us\, but confuse us with their explosive scale – they are enlarged many times over and fascinating in their craftsmanship … Are they handbags\, sweaters\, shoes\, brooches\, all familiar utensils that become brightly colored wall and room objects here? … Knitting patterns and braiding: baroque reminiscences? Confusing titles such as Amuse Bouche\, knitted dress by Lady Gaga show desire and mischief. Hasslinger enchants and changes familiar ways of seeing. \nMICHAEL THÜMMRICH spreads out large-format tapestries on paper or unprimed canvas before us. The focus of his work is not on pre-planned pictorial ideas\, but on spontaneous reactions. In a lengthy process\, he gives free rein to his creative play … using a wide variety of water-soluble\, transparent\, oily opaque painting media\, he creates unplanned\, surprising effects to which he reacts and which he continues to work on. He adds new pictorial elements\, aggressively scratches holes in the layers\, reacts to folds\, and finally soaks the painting ground with linseed oil or shellac\, thus changing its materiality in order to create these multi-layered\, expressive works. \nAuthor of the event picture: Stephan Hasslinger
URL:https://staging.kultur-radolfzell.de/en/veranstaltung/expressive-24/
LOCATION:Villa Bosch\, Scheffelstrasse 8\, Radolfzell on Lake Constance\, 78315
ATTACH;FMTTYPE=image/jpeg:https://staging.kultur-radolfzell.de/wp-content/uploads/2024/03/mainImage-Fvd2dq.tmp_-400x300-X7TMjH.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20240413T140000
DTEND;TZID=Europe/Berlin:20240609T173000
DTSTAMP:20260502T234114
CREATED:20240410T090840Z
LAST-MODIFIED:20240410T090840Z
UID:76032-1713016800-1717954200@staging.kultur-radolfzell.de
SUMMARY:Expressive!
DESCRIPTION:STEPHAN HASSLINGER weaves expansive objects from ceramic cords that seem familiar to us\, but confuse us with their explosive scale – they are enlarged many times over and fascinating in their craftsmanship … Are they handbags\, sweaters\, shoes\, brooches\, all familiar utensils that become brightly colored wall and room objects here? … Knitting patterns and braiding: baroque reminiscences? Confusing titles such as Amuse Bouche\, knitted dress by Lady Gaga show desire and mischief. Hasslinger enchants and changes familiar ways of seeing. \nMICHAEL THÜMMRICH spreads out large-format tapestries on paper or unprimed canvas before us. The focus of his work is not on pre-planned pictorial ideas\, but on spontaneous reactions. In a lengthy process\, he gives free rein to his creative play … using a wide variety of water-soluble\, transparent\, oily opaque painting media\, he creates unplanned\, surprising effects to which he reacts and which he continues to work on. He adds new pictorial elements\, aggressively scratches holes in the layers\, reacts to folds\, and finally soaks the painting ground with linseed oil or shellac\, thus changing its materiality in order to create these multi-layered\, expressive works. \nAuthor of the event picture: Stephan Hasslinger
URL:https://staging.kultur-radolfzell.de/en/veranstaltung/expressive-23/
LOCATION:Villa Bosch\, Scheffelstrasse 8\, Radolfzell on Lake Constance\, 78315
ATTACH;FMTTYPE=image/jpeg:https://staging.kultur-radolfzell.de/wp-content/uploads/2024/03/mainImage-Fvd2dq.tmp_-400x300-X7TMjH.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20240413T140000
DTEND;TZID=Europe/Berlin:20240609T173000
DTSTAMP:20260502T234114
CREATED:20240409T090810Z
LAST-MODIFIED:20240409T090810Z
UID:75759-1713016800-1717954200@staging.kultur-radolfzell.de
SUMMARY:Expressive!
DESCRIPTION:STEPHAN HASSLINGER weaves expansive objects from ceramic cords that seem familiar to us\, but confuse us with their explosive scale – they are enlarged many times over and fascinating in their craftsmanship … Are they handbags\, sweaters\, shoes\, brooches\, all familiar utensils that become brightly colored wall and room objects here? … Knitting patterns and braiding: baroque reminiscences? Confusing titles such as Amuse Bouche\, knitted dress by Lady Gaga show desire and mischief. Hasslinger enchants and changes familiar ways of seeing. \nMICHAEL THÜMMRICH spreads out large-format tapestries on paper or unprimed canvas before us. The focus of his work is not on pre-planned pictorial ideas\, but on spontaneous reactions. In a lengthy process\, he gives free rein to his creative play … using a wide variety of water-soluble\, transparent\, oily opaque painting media\, he creates unplanned\, surprising effects to which he reacts and which he continues to work on. He adds new pictorial elements\, aggressively scratches holes in the layers\, reacts to folds\, and finally soaks the painting ground with linseed oil or shellac\, thus changing its materiality in order to create these multi-layered\, expressive works. \nAuthor of the event picture: Stephan Hasslinger
URL:https://staging.kultur-radolfzell.de/en/veranstaltung/expressive-22/
LOCATION:Villa Bosch\, Scheffelstrasse 8\, Radolfzell on Lake Constance\, 78315
ATTACH;FMTTYPE=image/jpeg:https://staging.kultur-radolfzell.de/wp-content/uploads/2024/03/mainImage-Fvd2dq.tmp_-400x300-X7TMjH.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20240413T140000
DTEND;TZID=Europe/Berlin:20240609T173000
DTSTAMP:20260502T234114
CREATED:20240408T091406Z
LAST-MODIFIED:20240408T091406Z
UID:75459-1713016800-1717954200@staging.kultur-radolfzell.de
SUMMARY:Expressive!
DESCRIPTION:STEPHAN HASSLINGER weaves expansive objects from ceramic cords that seem familiar to us\, but confuse us with their explosive scale – they are enlarged many times over and fascinating in their craftsmanship … Are they handbags\, sweaters\, shoes\, brooches\, all familiar utensils that become brightly colored wall and room objects here? … Knitting patterns and braiding: baroque reminiscences? Confusing titles such as Amuse Bouche\, knitted dress by Lady Gaga show desire and mischief. Hasslinger enchants and changes familiar ways of seeing. \nMICHAEL THÜMMRICH spreads out large-format tapestries on paper or unprimed canvas before us. The focus of his work is not on pre-planned pictorial ideas\, but on spontaneous reactions. In a lengthy process\, he gives free rein to his creative play … using a wide variety of water-soluble\, transparent\, oily opaque painting media\, he creates unplanned\, surprising effects to which he reacts and which he continues to work on. He adds new pictorial elements\, aggressively scratches holes in the layers\, reacts to folds\, and finally soaks the painting ground with linseed oil or shellac\, thus changing its materiality in order to create these multi-layered\, expressive works. \nAuthor of the event picture: Stephan Hasslinger
URL:https://staging.kultur-radolfzell.de/en/veranstaltung/expressive-21/
LOCATION:Villa Bosch\, Scheffelstrasse 8\, Radolfzell on Lake Constance\, 78315
ATTACH;FMTTYPE=image/jpeg:https://staging.kultur-radolfzell.de/wp-content/uploads/2024/03/mainImage-Fvd2dq.tmp_-400x300-X7TMjH.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20240413T140000
DTEND;TZID=Europe/Berlin:20240609T173000
DTSTAMP:20260502T234114
CREATED:20240408T091402Z
LAST-MODIFIED:20240408T091402Z
UID:75454-1713016800-1717954200@staging.kultur-radolfzell.de
SUMMARY:Expressive!
DESCRIPTION:STEPHAN HASSLINGER weaves expansive objects from ceramic cords that seem familiar to us\, but confuse us with their explosive scale – they are enlarged many times over and fascinating in their craftsmanship … Are they handbags\, sweaters\, shoes\, brooches\, all familiar utensils that become brightly colored wall and room objects here? … Knitting patterns and braiding: baroque reminiscences? Confusing titles such as Amuse Bouche\, knitted dress by Lady Gaga show desire and mischief. Hasslinger enchants and changes familiar ways of seeing. \nMICHAEL THÜMMRICH spreads out large-format tapestries on paper or unprimed canvas before us. The focus of his work is not on pre-planned pictorial ideas\, but on spontaneous reactions. In a lengthy process\, he gives free rein to his creative play … using a wide variety of water-soluble\, transparent\, oily opaque painting media\, he creates unplanned\, surprising effects to which he reacts and which he continues to work on. He adds new pictorial elements\, aggressively scratches holes in the layers\, reacts to folds\, and finally soaks the painting ground with linseed oil or shellac\, thus changing its materiality in order to create these multi-layered\, expressive works. \nAuthor of the event picture: Stephan Hasslinger
URL:https://staging.kultur-radolfzell.de/en/veranstaltung/expressive-20/
LOCATION:Villa Bosch\, Scheffelstrasse 8\, Radolfzell on Lake Constance\, 78315
ATTACH;FMTTYPE=image/jpeg:https://staging.kultur-radolfzell.de/wp-content/uploads/2024/03/mainImage-Fvd2dq.tmp_-400x300-X7TMjH.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20240413T140000
DTEND;TZID=Europe/Berlin:20240609T173000
DTSTAMP:20260502T234114
CREATED:20240408T091355Z
LAST-MODIFIED:20240408T091355Z
UID:75448-1713016800-1717954200@staging.kultur-radolfzell.de
SUMMARY:Expressive!
DESCRIPTION:STEPHAN HASSLINGER weaves expansive objects from ceramic cords that seem familiar to us\, but confuse us with their explosive scale – they are enlarged many times over and fascinating in their craftsmanship … Are they handbags\, sweaters\, shoes\, brooches\, all familiar utensils that become brightly colored wall and room objects here? … Knitting patterns and braiding: baroque reminiscences? Confusing titles such as Amuse Bouche\, knitted dress by Lady Gaga show desire and mischief. Hasslinger enchants and changes familiar ways of seeing. \nMICHAEL THÜMMRICH spreads out large-format tapestries on paper or unprimed canvas before us. The focus of his work is not on pre-planned pictorial ideas\, but on spontaneous reactions. In a lengthy process\, he gives free rein to his creative play … using a wide variety of water-soluble\, transparent\, oily opaque painting media\, he creates unplanned\, surprising effects to which he reacts and which he continues to work on. He adds new pictorial elements\, aggressively scratches holes in the layers\, reacts to folds\, and finally soaks the painting ground with linseed oil or shellac\, thus changing its materiality in order to create these multi-layered\, expressive works. \nAuthor of the event picture: Stephan Hasslinger
URL:https://staging.kultur-radolfzell.de/en/veranstaltung/expressive-19/
LOCATION:Villa Bosch\, Scheffelstrasse 8\, Radolfzell on Lake Constance\, 78315
ATTACH;FMTTYPE=image/jpeg:https://staging.kultur-radolfzell.de/wp-content/uploads/2024/03/mainImage-Fvd2dq.tmp_-400x300-X7TMjH.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20240413T140000
DTEND;TZID=Europe/Berlin:20240609T173000
DTSTAMP:20260502T234114
CREATED:20240407T091545Z
LAST-MODIFIED:20240407T091545Z
UID:74878-1713016800-1717954200@staging.kultur-radolfzell.de
SUMMARY:Expressive!
DESCRIPTION:STEPHAN HASSLINGER weaves expansive objects from ceramic cords that seem familiar to us\, but confuse us with their explosive scale – they are enlarged many times over and fascinating in their craftsmanship … Are they handbags\, sweaters\, shoes\, brooches\, all familiar utensils that become brightly colored wall and room objects here? … Knitting patterns and braiding: baroque reminiscences? Confusing titles such as Amuse Bouche\, knitted dress by Lady Gaga show desire and mischief. Hasslinger enchants and changes familiar ways of seeing. \nMICHAEL THÜMMRICH spreads out large-format tapestries on paper or unprimed canvas before us. The focus of his work is not on pre-planned pictorial ideas\, but on spontaneous reactions. In a lengthy process\, he gives free rein to his creative play … using a wide variety of water-soluble\, transparent\, oily opaque painting media\, he creates unplanned\, surprising effects to which he reacts and which he continues to work on. He adds new pictorial elements\, aggressively scratches holes in the layers\, reacts to folds\, and finally soaks the painting ground with linseed oil or shellac\, thus changing its materiality in order to create these multi-layered\, expressive works. \nAuthor of the event picture: Stephan Hasslinger
URL:https://staging.kultur-radolfzell.de/en/veranstaltung/expressive-18/
LOCATION:Villa Bosch\, Scheffelstrasse 8\, Radolfzell on Lake Constance\, 78315
ATTACH;FMTTYPE=image/jpeg:https://staging.kultur-radolfzell.de/wp-content/uploads/2024/03/mainImage-Fvd2dq.tmp_-400x300-X7TMjH.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20240413T140000
DTEND;TZID=Europe/Berlin:20240609T173000
DTSTAMP:20260502T234114
CREATED:20240407T091539Z
LAST-MODIFIED:20240407T091539Z
UID:74873-1713016800-1717954200@staging.kultur-radolfzell.de
SUMMARY:Expressive!
DESCRIPTION:STEPHAN HASSLINGER weaves expansive objects from ceramic cords that seem familiar to us\, but confuse us with their explosive scale – they are enlarged many times over and fascinating in their craftsmanship … Are they handbags\, sweaters\, shoes\, brooches\, all familiar utensils that become brightly colored wall and room objects here? … Knitting patterns and braiding: baroque reminiscences? Confusing titles such as Amuse Bouche\, knitted dress by Lady Gaga show desire and mischief. Hasslinger enchants and changes familiar ways of seeing. \nMICHAEL THÜMMRICH spreads out large-format tapestries on paper or unprimed canvas before us. The focus of his work is not on pre-planned pictorial ideas\, but on spontaneous reactions. In a lengthy process\, he gives free rein to his creative play … using a wide variety of water-soluble\, transparent\, oily opaque painting media\, he creates unplanned\, surprising effects to which he reacts and which he continues to work on. He adds new pictorial elements\, aggressively scratches holes in the layers\, reacts to folds\, and finally soaks the painting ground with linseed oil or shellac\, thus changing its materiality in order to create these multi-layered\, expressive works. \nAuthor of the event picture: Stephan Hasslinger
URL:https://staging.kultur-radolfzell.de/en/veranstaltung/expressive-17/
LOCATION:Villa Bosch\, Scheffelstrasse 8\, Radolfzell on Lake Constance\, 78315
ATTACH;FMTTYPE=image/jpeg:https://staging.kultur-radolfzell.de/wp-content/uploads/2024/03/mainImage-Fvd2dq.tmp_-400x300-X7TMjH.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20240413T140000
DTEND;TZID=Europe/Berlin:20240609T173000
DTSTAMP:20260502T234114
CREATED:20240406T091441Z
LAST-MODIFIED:20240406T091441Z
UID:73671-1713016800-1717954200@staging.kultur-radolfzell.de
SUMMARY:Expressive!
DESCRIPTION:STEPHAN HASSLINGER weaves expansive objects from ceramic cords that seem familiar to us\, but confuse us with their explosive scale – they are enlarged many times over and fascinating in their craftsmanship … Are they handbags\, sweaters\, shoes\, brooches\, all familiar utensils that become brightly colored wall and room objects here? … Knitting patterns and braiding: baroque reminiscences? Confusing titles such as Amuse Bouche\, knitted dress by Lady Gaga show desire and mischief. Hasslinger enchants and changes familiar ways of seeing. \nMICHAEL THÜMMRICH spreads out large-format tapestries on paper or unprimed canvas before us. The focus of his work is not on pre-planned pictorial ideas\, but on spontaneous reactions. In a lengthy process\, he gives free rein to his creative play … using a wide variety of water-soluble\, transparent\, oily opaque painting media\, he creates unplanned\, surprising effects to which he reacts and which he continues to work on. He adds new pictorial elements\, aggressively scratches holes in the layers\, reacts to folds\, and finally soaks the painting ground with linseed oil or shellac\, thus changing its materiality in order to create these multi-layered\, expressive works. \nAuthor of the event picture: Stephan Hasslinger
URL:https://staging.kultur-radolfzell.de/en/veranstaltung/expressive-16/
LOCATION:Villa Bosch\, Scheffelstrasse 8\, Radolfzell on Lake Constance\, 78315
ATTACH;FMTTYPE=image/jpeg:https://staging.kultur-radolfzell.de/wp-content/uploads/2024/03/mainImage-Fvd2dq.tmp_-400x300-X7TMjH.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20240413T140000
DTEND;TZID=Europe/Berlin:20240609T173000
DTSTAMP:20260502T234114
CREATED:20240406T091434Z
LAST-MODIFIED:20240406T091434Z
UID:73668-1713016800-1717954200@staging.kultur-radolfzell.de
SUMMARY:Expressive!
DESCRIPTION:STEPHAN HASSLINGER weaves expansive objects from ceramic cords that seem familiar to us\, but confuse us with their explosive scale – they are enlarged many times over and fascinating in their craftsmanship … Are they handbags\, sweaters\, shoes\, brooches\, all familiar utensils that become brightly colored wall and room objects here? … Knitting patterns and braiding: baroque reminiscences? Confusing titles such as Amuse Bouche\, knitted dress by Lady Gaga show desire and mischief. Hasslinger enchants and changes familiar ways of seeing. \nMICHAEL THÜMMRICH spreads out large-format tapestries on paper or unprimed canvas before us. The focus of his work is not on pre-planned pictorial ideas\, but on spontaneous reactions. In a lengthy process\, he gives free rein to his creative play … using a wide variety of water-soluble\, transparent\, oily opaque painting media\, he creates unplanned\, surprising effects to which he reacts and which he continues to work on. He adds new pictorial elements\, aggressively scratches holes in the layers\, reacts to folds\, and finally soaks the painting ground with linseed oil or shellac\, thus changing its materiality in order to create these multi-layered\, expressive works. \nAuthor of the event picture: Stephan Hasslinger
URL:https://staging.kultur-radolfzell.de/en/veranstaltung/expressive-15/
LOCATION:Villa Bosch\, Scheffelstrasse 8\, Radolfzell on Lake Constance\, 78315
ATTACH;FMTTYPE=image/jpeg:https://staging.kultur-radolfzell.de/wp-content/uploads/2024/03/mainImage-Fvd2dq.tmp_-400x300-X7TMjH.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20240413T140000
DTEND;TZID=Europe/Berlin:20240609T173000
DTSTAMP:20260502T234114
CREATED:20240404T091346Z
LAST-MODIFIED:20240404T091346Z
UID:72888-1713016800-1717954200@staging.kultur-radolfzell.de
SUMMARY:Expressive!
DESCRIPTION:STEPHAN HASSLINGER weaves expansive objects from ceramic cords that seem familiar to us\, but confuse us with their explosive scale – they are enlarged many times over and fascinating in their craftsmanship … Are they handbags\, sweaters\, shoes\, brooches\, all familiar utensils that become brightly colored wall and room objects here? … Knitting patterns and braiding: baroque reminiscences? Confusing titles such as Amuse Bouche\, knitted dress by Lady Gaga show desire and mischief. Hasslinger enchants and changes familiar ways of seeing. \nMICHAEL THÜMMRICH spreads out large-format tapestries on paper or unprimed canvas before us. The focus of his work is not on pre-planned pictorial ideas\, but on spontaneous reactions. In a lengthy process\, he gives free rein to his creative play … using a wide variety of water-soluble\, transparent\, oily opaque painting media\, he creates unplanned\, surprising effects to which he reacts and which he continues to work on. He adds new pictorial elements\, aggressively scratches holes in the layers\, reacts to folds\, and finally soaks the painting ground with linseed oil or shellac\, thus changing its materiality in order to create these multi-layered\, expressive works. \nAuthor of the event picture: Stephan Hasslinger
URL:https://staging.kultur-radolfzell.de/en/veranstaltung/expressive-14/
LOCATION:Villa Bosch\, Scheffelstrasse 8\, Radolfzell on Lake Constance\, 78315
ATTACH;FMTTYPE=image/jpeg:https://staging.kultur-radolfzell.de/wp-content/uploads/2024/03/mainImage-Fvd2dq.tmp_-400x300-X7TMjH.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20240413T140000
DTEND;TZID=Europe/Berlin:20240609T173000
DTSTAMP:20260502T234114
CREATED:20240404T091341Z
LAST-MODIFIED:20240404T091341Z
UID:72882-1713016800-1717954200@staging.kultur-radolfzell.de
SUMMARY:Expressive!
DESCRIPTION:STEPHAN HASSLINGER weaves expansive objects from ceramic cords that seem familiar to us\, but confuse us with their explosive scale – they are enlarged many times over and fascinating in their craftsmanship … Are they handbags\, sweaters\, shoes\, brooches\, all familiar utensils that become brightly colored wall and room objects here? … Knitting patterns and braiding: baroque reminiscences? Confusing titles such as Amuse Bouche\, knitted dress by Lady Gaga show desire and mischief. Hasslinger enchants and changes familiar ways of seeing. \nMICHAEL THÜMMRICH spreads out large-format tapestries on paper or unprimed canvas before us. The focus of his work is not on pre-planned pictorial ideas\, but on spontaneous reactions. In a lengthy process\, he gives free rein to his creative play … using a wide variety of water-soluble\, transparent\, oily opaque painting media\, he creates unplanned\, surprising effects to which he reacts and which he continues to work on. He adds new pictorial elements\, aggressively scratches holes in the layers\, reacts to folds\, and finally soaks the painting ground with linseed oil or shellac\, thus changing its materiality in order to create these multi-layered\, expressive works. \nAuthor of the event picture: Stephan Hasslinger
URL:https://staging.kultur-radolfzell.de/en/veranstaltung/expressive-13/
LOCATION:Villa Bosch\, Scheffelstrasse 8\, Radolfzell on Lake Constance\, 78315
ATTACH;FMTTYPE=image/jpeg:https://staging.kultur-radolfzell.de/wp-content/uploads/2024/03/mainImage-Fvd2dq.tmp_-400x300-X7TMjH.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20240413T140000
DTEND;TZID=Europe/Berlin:20240609T173000
DTSTAMP:20260502T234114
CREATED:20240403T212444Z
LAST-MODIFIED:20240403T212444Z
UID:72293-1713016800-1717954200@staging.kultur-radolfzell.de
SUMMARY:Expressive!
DESCRIPTION:STEPHAN HASSLINGER weaves expansive objects from ceramic cords that seem familiar to us\, but confuse us with their explosive scale – they are enlarged many times over and fascinating in their craftsmanship … Are they handbags\, sweaters\, shoes\, brooches\, all familiar utensils that become brightly colored wall and room objects here? … Knitting patterns and braiding: baroque reminiscences? Confusing titles such as Amuse Bouche\, knitted dress by Lady Gaga show desire and mischief. Hasslinger enchants and changes familiar ways of seeing. \nMICHAEL THÜMMRICH spreads out large-format tapestries on paper or unprimed canvas before us. The focus of his work is not on pre-planned pictorial ideas\, but on spontaneous reactions. In a lengthy process\, he gives free rein to his creative play … using a wide variety of water-soluble\, transparent\, oily opaque painting media\, he creates unplanned\, surprising effects to which he reacts and which he continues to work on. He adds new pictorial elements\, aggressively scratches holes in the layers\, reacts to folds\, and finally soaks the painting ground with linseed oil or shellac\, thus changing its materiality in order to create these multi-layered\, expressive works. \nAuthor of the event picture: Stephan Hasslinger
URL:https://staging.kultur-radolfzell.de/en/veranstaltung/expressive-12/
LOCATION:Villa Bosch\, Scheffelstrasse 8\, Radolfzell on Lake Constance\, 78315
ATTACH;FMTTYPE=image/jpeg:https://staging.kultur-radolfzell.de/wp-content/uploads/2024/03/mainImage-Fvd2dq.tmp_-400x300-X7TMjH.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20240413T140000
DTEND;TZID=Europe/Berlin:20240609T173000
DTSTAMP:20260502T234114
CREATED:20240403T212440Z
LAST-MODIFIED:20240403T212440Z
UID:72288-1713016800-1717954200@staging.kultur-radolfzell.de
SUMMARY:Expressive!
DESCRIPTION:STEPHAN HASSLINGER weaves expansive objects from ceramic cords that seem familiar to us\, but confuse us with their explosive scale – they are enlarged many times over and fascinating in their craftsmanship … Are they handbags\, sweaters\, shoes\, brooches\, all familiar utensils that become brightly colored wall and room objects here? … Knitting patterns and braiding: baroque reminiscences? Confusing titles such as Amuse Bouche\, knitted dress by Lady Gaga show desire and mischief. Hasslinger enchants and changes familiar ways of seeing. \nMICHAEL THÜMMRICH spreads out large-format tapestries on paper or unprimed canvas before us. The focus of his work is not on pre-planned pictorial ideas\, but on spontaneous reactions. In a lengthy process\, he gives free rein to his creative play … using a wide variety of water-soluble\, transparent\, oily opaque painting media\, he creates unplanned\, surprising effects to which he reacts and which he continues to work on. He adds new pictorial elements\, aggressively scratches holes in the layers\, reacts to folds\, and finally soaks the painting ground with linseed oil or shellac\, thus changing its materiality in order to create these multi-layered\, expressive works. \nAuthor of the event picture: Stephan Hasslinger
URL:https://staging.kultur-radolfzell.de/en/veranstaltung/expressive-11/
LOCATION:Villa Bosch\, Scheffelstrasse 8\, Radolfzell on Lake Constance\, 78315
ATTACH;FMTTYPE=image/jpeg:https://staging.kultur-radolfzell.de/wp-content/uploads/2024/03/mainImage-Fvd2dq.tmp_-400x300-X7TMjH.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20240413T140000
DTEND;TZID=Europe/Berlin:20240609T173000
DTSTAMP:20260502T234114
CREATED:20240403T091129Z
LAST-MODIFIED:20240403T091129Z
UID:71736-1713016800-1717954200@staging.kultur-radolfzell.de
SUMMARY:Expressive!
DESCRIPTION:STEPHAN HASSLINGER weaves expansive objects from ceramic cords that seem familiar to us\, but confuse us with their explosive scale – they are enlarged many times over and fascinating in their craftsmanship … Are they handbags\, sweaters\, shoes\, brooches\, all familiar utensils that become brightly colored wall and room objects here? … Knitting patterns and braiding: baroque reminiscences? Confusing titles such as Amuse Bouche\, knitted dress by Lady Gaga show desire and mischief. Hasslinger enchants and changes familiar ways of seeing. \nMICHAEL THÜMMRICH spreads out large-format tapestries on paper or unprimed canvas before us. The focus of his work is not on pre-planned pictorial ideas\, but on spontaneous reactions. In a lengthy process\, he gives free rein to his creative play … using a wide variety of water-soluble\, transparent\, oily opaque painting media\, he creates unplanned\, surprising effects to which he reacts and which he continues to work on. He adds new pictorial elements\, aggressively scratches holes in the layers\, reacts to folds\, and finally soaks the painting ground with linseed oil or shellac\, thus changing its materiality in order to create these multi-layered\, expressive works. \nAuthor of the event picture: Stephan Hasslinger
URL:https://staging.kultur-radolfzell.de/en/veranstaltung/expressive-10/
LOCATION:Villa Bosch\, Scheffelstrasse 8\, Radolfzell on Lake Constance\, 78315
ATTACH;FMTTYPE=image/jpeg:https://staging.kultur-radolfzell.de/wp-content/uploads/2024/03/mainImage-Fvd2dq.tmp_-400x300-X7TMjH.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20240413T140000
DTEND;TZID=Europe/Berlin:20240609T173000
DTSTAMP:20260502T234114
CREATED:20240403T091124Z
LAST-MODIFIED:20240403T091124Z
UID:71731-1713016800-1717954200@staging.kultur-radolfzell.de
SUMMARY:Expressive!
DESCRIPTION:STEPHAN HASSLINGER weaves expansive objects from ceramic cords that seem familiar to us\, but confuse us with their explosive scale – they are enlarged many times over and fascinating in their craftsmanship … Are they handbags\, sweaters\, shoes\, brooches\, all familiar utensils that become brightly colored wall and room objects here? … Knitting patterns and braiding: baroque reminiscences? Confusing titles such as Amuse Bouche\, knitted dress by Lady Gaga show desire and mischief. Hasslinger enchants and changes familiar ways of seeing. \nMICHAEL THÜMMRICH spreads out large-format tapestries on paper or unprimed canvas before us. The focus of his work is not on pre-planned pictorial ideas\, but on spontaneous reactions. In a lengthy process\, he gives free rein to his creative play … using a wide variety of water-soluble\, transparent\, oily opaque painting media\, he creates unplanned\, surprising effects to which he reacts and which he continues to work on. He adds new pictorial elements\, aggressively scratches holes in the layers\, reacts to folds\, and finally soaks the painting ground with linseed oil or shellac\, thus changing its materiality in order to create these multi-layered\, expressive works. \nAuthor of the event picture: Stephan Hasslinger
URL:https://staging.kultur-radolfzell.de/en/veranstaltung/expressive-9/
LOCATION:Villa Bosch\, Scheffelstrasse 8\, Radolfzell on Lake Constance\, 78315
ATTACH;FMTTYPE=image/jpeg:https://staging.kultur-radolfzell.de/wp-content/uploads/2024/03/mainImage-Fvd2dq.tmp_-400x300-X7TMjH.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20240413T140000
DTEND;TZID=Europe/Berlin:20240609T173000
DTSTAMP:20260502T234114
CREATED:20240402T091014Z
LAST-MODIFIED:20240402T091014Z
UID:71240-1713016800-1717954200@staging.kultur-radolfzell.de
SUMMARY:Expressive!
DESCRIPTION:STEPHAN HASSLINGER weaves expansive objects from ceramic cords that seem familiar to us\, but confuse us with their explosive scale – they are enlarged many times over and fascinating in their craftsmanship … Are they handbags\, sweaters\, shoes\, brooches\, all familiar utensils that become brightly colored wall and room objects here? … Knitting patterns and braiding: baroque reminiscences? Confusing titles such as Amuse Bouche\, knitted dress by Lady Gaga show desire and mischief. Hasslinger enchants and changes familiar ways of seeing. \nMICHAEL THÜMMRICH spreads out large-format tapestries on paper or unprimed canvas before us. The focus of his work is not on pre-planned pictorial ideas\, but on spontaneous reactions. In a lengthy process\, he gives free rein to his creative play … using a wide variety of water-soluble\, transparent\, oily opaque painting media\, he creates unplanned\, surprising effects to which he reacts and which he continues to work on. He adds new pictorial elements\, aggressively scratches holes in the layers\, reacts to folds\, and finally soaks the painting ground with linseed oil or shellac\, thus changing its materiality in order to create these multi-layered\, expressive works. \nAuthor of the event picture: Stephan Hasslinger
URL:https://staging.kultur-radolfzell.de/en/veranstaltung/expressive-7/
LOCATION:Villa Bosch\, Scheffelstrasse 8\, Radolfzell on Lake Constance\, 78315
ATTACH;FMTTYPE=image/jpeg:https://staging.kultur-radolfzell.de/wp-content/uploads/2024/03/mainImage-Fvd2dq.tmp_-400x300-X7TMjH.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20240413T140000
DTEND;TZID=Europe/Berlin:20240609T173000
DTSTAMP:20260502T234114
CREATED:20240402T091005Z
LAST-MODIFIED:20240402T091005Z
UID:71249-1713016800-1717954200@staging.kultur-radolfzell.de
SUMMARY:Expressive!
DESCRIPTION:STEPHAN HASSLINGER weaves expansive objects from ceramic cords that seem familiar to us\, but confuse us with their explosive scale – they are enlarged many times over and fascinating in their craftsmanship … Are they handbags\, sweaters\, shoes\, brooches\, all familiar utensils that become brightly colored wall and room objects here? … Knitting patterns and braiding: baroque reminiscences? Confusing titles such as Amuse Bouche\, knitted dress by Lady Gaga show desire and mischief. Hasslinger enchants and changes familiar ways of seeing. \nMICHAEL THÜMMRICH spreads out large-format tapestries on paper or unprimed canvas before us. The focus of his work is not on pre-planned pictorial ideas\, but on spontaneous reactions. In a lengthy process\, he gives free rein to his creative play … using a wide variety of water-soluble\, transparent\, oily opaque painting media\, he creates unplanned\, surprising effects to which he reacts and which he continues to work on. He adds new pictorial elements\, aggressively scratches holes in the layers\, reacts to folds\, and finally soaks the painting ground with linseed oil or shellac\, thus changing its materiality in order to create these multi-layered\, expressive works. \nAuthor of the event picture: Stephan Hasslinger
URL:https://staging.kultur-radolfzell.de/en/veranstaltung/expressive-8/
LOCATION:Villa Bosch\, Scheffelstrasse 8\, Radolfzell on Lake Constance\, 78315
ATTACH;FMTTYPE=image/jpeg:https://staging.kultur-radolfzell.de/wp-content/uploads/2024/03/mainImage-Fvd2dq.tmp_-400x300-X7TMjH.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20240413T140000
DTEND;TZID=Europe/Berlin:20240609T173000
DTSTAMP:20260502T234114
CREATED:20240401T091106Z
LAST-MODIFIED:20240401T091106Z
UID:70805-1713016800-1717954200@staging.kultur-radolfzell.de
SUMMARY:Expressive!
DESCRIPTION:STEPHAN HASSLINGER weaves expansive objects from ceramic cords that seem familiar to us\, but confuse us with their explosive scale – they are enlarged many times over and fascinating in their craftsmanship … Are they handbags\, sweaters\, shoes\, brooches\, all familiar utensils that become brightly colored wall and room objects here? … Knitting patterns and braiding: baroque reminiscences? Confusing titles such as Amuse Bouche\, knitted dress by Lady Gaga show desire and mischief. Hasslinger enchants and changes familiar ways of seeing. \nMICHAEL THÜMMRICH spreads out large-format tapestries on paper or unprimed canvas before us. The focus of his work is not on pre-planned pictorial ideas\, but on spontaneous reactions. In a lengthy process\, he gives free rein to his creative play … using a wide variety of water-soluble\, transparent\, oily opaque painting media\, he creates unplanned\, surprising effects to which he reacts and which he continues to work on. He adds new pictorial elements\, aggressively scratches holes in the layers\, reacts to folds\, and finally soaks the painting ground with linseed oil or shellac\, thus changing its materiality in order to create these multi-layered\, expressive works. \nAuthor of the event picture: Stephan Hasslinger
URL:https://staging.kultur-radolfzell.de/en/veranstaltung/expressive-5/
LOCATION:Villa Bosch\, Scheffelstrasse 8\, Radolfzell on Lake Constance\, 78315
ATTACH;FMTTYPE=image/jpeg:https://staging.kultur-radolfzell.de/wp-content/uploads/2024/03/mainImage-Fvd2dq.tmp_-400x300-X7TMjH.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20240413T140000
DTEND;TZID=Europe/Berlin:20240609T173000
DTSTAMP:20260502T234114
CREATED:20240401T091102Z
LAST-MODIFIED:20240401T091102Z
UID:70811-1713016800-1717954200@staging.kultur-radolfzell.de
SUMMARY:Expressive!
DESCRIPTION:STEPHAN HASSLINGER weaves expansive objects from ceramic cords that seem familiar to us\, but confuse us with their explosive scale – they are enlarged many times over and fascinating in their craftsmanship … Are they handbags\, sweaters\, shoes\, brooches\, all familiar utensils that become brightly colored wall and room objects here? … Knitting patterns and braiding: baroque reminiscences? Confusing titles such as Amuse Bouche\, knitted dress by Lady Gaga show desire and mischief. Hasslinger enchants and changes familiar ways of seeing. \nMICHAEL THÜMMRICH spreads out large-format tapestries on paper or unprimed canvas before us. The focus of his work is not on pre-planned pictorial ideas\, but on spontaneous reactions. In a lengthy process\, he gives free rein to his creative play … using a wide variety of water-soluble\, transparent\, oily opaque painting media\, he creates unplanned\, surprising effects to which he reacts and which he continues to work on. He adds new pictorial elements\, aggressively scratches holes in the layers\, reacts to folds\, and finally soaks the painting ground with linseed oil or shellac\, thus changing its materiality in order to create these multi-layered\, expressive works. \nAuthor of the event picture: Stephan Hasslinger
URL:https://staging.kultur-radolfzell.de/en/veranstaltung/expressive-6/
LOCATION:Villa Bosch\, Scheffelstrasse 8\, Radolfzell on Lake Constance\, 78315
ATTACH;FMTTYPE=image/jpeg:https://staging.kultur-radolfzell.de/wp-content/uploads/2024/03/mainImage-Fvd2dq.tmp_-400x300-X7TMjH.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20240413T140000
DTEND;TZID=Europe/Berlin:20240609T173000
DTSTAMP:20260502T234114
CREATED:20240330T091022Z
LAST-MODIFIED:20240330T091022Z
UID:69926-1713016800-1717954200@staging.kultur-radolfzell.de
SUMMARY:Expressive!
DESCRIPTION:STEPHAN HASSLINGER weaves expansive objects from ceramic cords that seem familiar to us\, but confuse us with their explosive scale – they are enlarged many times over and fascinating in their craftsmanship … Are they handbags\, sweaters\, shoes\, brooches\, all familiar utensils that become brightly colored wall and room objects here? … Knitting patterns and braiding: baroque reminiscences? Confusing titles such as Amuse Bouche\, knitted dress by Lady Gaga show desire and mischief. Hasslinger enchants and changes familiar ways of seeing. \nMICHAEL THÜMMRICH spreads out large-format tapestries on paper or unprimed canvas before us. The focus of his work is not on pre-planned pictorial ideas\, but on spontaneous reactions. In a lengthy process\, he gives free rein to his creative play … using a wide variety of water-soluble\, transparent\, oily opaque painting media\, he creates unplanned\, surprising effects to which he reacts and which he continues to work on. He adds new pictorial elements\, aggressively scratches holes in the layers\, reacts to folds\, and finally soaks the painting ground with linseed oil or shellac\, thus changing its materiality in order to create these multi-layered\, expressive works. \nAuthor of the event picture: Stephan Hasslinger
URL:https://staging.kultur-radolfzell.de/en/veranstaltung/expressive-4/
LOCATION:Villa Bosch\, Scheffelstrasse 8\, Radolfzell on Lake Constance\, 78315
ATTACH;FMTTYPE=image/jpeg:https://staging.kultur-radolfzell.de/wp-content/uploads/2024/03/mainImage-Fvd2dq.tmp_-400x300-X7TMjH.tmp_.jpg
END:VEVENT
END:VCALENDAR